Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian
Out of Words – crafting gaming’s most unusual love story from clay and glue
20/10/2025
‘Stole my heart’ : why My Best Friend’s Wedding is my feelgood movie
20/10/2025
The one change that worked : I had terrible insomnia – until I hit upon a gory solution
20/10/2025
BBC reporters cannot wear Black Lives Matter T-shirts in newsroom, says Tim Davie
20/10/2025
Jesus Christ Kinski by Benjamin Myers review – a trip inside the frazzled mind of Klaus Kinski
20/10/2025
Premier League : 10 talking points from the weekend’s action
20/10/2025